Back in stock: International

Review: Amadou & Mariam, the legendary Malian duo, celebrate their nearly 50-year career with La Vie Est Belle, a new album that blends their greatest hits since 1998 with fresh tracks. The album showcases the duo's profound impact on the global music scene, highlighting their pioneering role in Afro-pop. Among the album's highlights is the brand-new single 'Beaux Dimanches' (Ever Mihigo Rework), which sounds like their vintage work. The album also includes 'Mogolu,' a Manu Chao-composed track that effortlessly fuses Afro-beat rhythms with modern electronic elements, a reflection of Amadou & Mariam's enduring ability to innovate. Amadou & Mariam's influence spans far beyond their roots, having collaborated with major artists like U2, Coldplay, and Stevie Wonder. Their musical journey began at the Bamako Institute for Young Blind People in the 1970s, and they quickly won over audiences across West Africa before gaining international recognition in the late 90s. La Vie Est Belle revisits iconic tracks like 'Je Pense A Toi,' 'Sabali,' and 'Bofou Safou,' along with collaborations from Dimanche a Bamako and Welcome to Mali, featuring artists like Damon Albarn and K'Naan. The album also explores their more recent works, including tracks from La Confusion and collaborations with contemporary artists like BLOND. With La Vie Est Belle, Amadou & Mariam reaffirm their status as global music icons, continuing to blend traditional Malian sounds with modern influences, all while spreading messages of peace, love and unity through their music.

Review: ***B-STOCK: Record slightly warped***


Now working under the alias Balaphonic, long serving Manchester artist Danny Ward steers his ear for percussion into something warm, rhythmically rich and hypnotic. He opens with 'Sunflowers in Dub (Deep Summer Mix)', where sitar, harmonica and fluttering keys glide across a humid dubscape, then folds in sun-dappled samba on 'Disorganics (All Strings Mix)', all brushed guitars and delicate groove. 'Six Fingers' leans deeper into Afro-Cuban melancholy, while 'Udders' chops South American drums into psychedelic loops, teasing out low-end heft. A standout collaboration with Ocean Waves Brasil, 'Oxum' blends gentle acid with dreamy textures and Afro-Brazilian swing, before closer 'Bloco Manco' lets off the brakes-delay-lashed, bass-heavy and totally locked-in. It's music built for dancefloors, but with the patience and touch of a drummer who knows when to let things breathe.

Review: Back here by popular demand, Les Disques Bongo Joe presents a fresh 7" release from Amsterdam's Nusantara Beat featuring, for the first time on wax, the infectious digital single 'Mang Becak' alongside a brand new and unreleased track. Marking their third collaboration with the label, the band reimagines two treasures of Indonesian music and merges their traditional rhythms with a modern edge that masterfully bridges the past and present. 'Sifat Manusa' has Indonesian vocals bringing sunny disposition and real soul over funky and jazzy drums. 'Mang Becak' is a funky groove with plenty of guitars that range from psyched out to more playful.

Review: For the latest exotic outing on their Tak:til offshoot, Germany's World Music inspired Glitterbeat crew has turned to South Korean fusionist Park Jiha, an artist whose occasional releases combine traditional instruments with contemporary electronics and production techniques. There's plenty to enjoy from start to finish, from the exotic, mind-altering string motifs and intoxicating aural textures of opener "Arrival", to the fuzzy sunset bliss of "Thunder Shower", delicate piano motifs and reverb-heavy plucked strings of "Philos" and the slow melodic bob and swirling field recordings of "Walker: In Seoul". Best of all, though, is the childlike wonder of bittersweet standout cut "When I Think Of Her", in which Jiha's improvised vocals play a starring role.

Review: Analog Africa's latest gem is a wonderful celebration of Zimbabwe's musical roots that traces back to the label's beginnings over 20 years ago. This carefully curated collection showcases the explosion of creativity from the 1970s and 80s before genre boundaries were clearly defined. Artists boldly fused rock, rumba, soul and traditional rhythms into an experimental sound that remains fresh today. Accompanied by an in-depth booklet, the compilation features rare and unreleased tracks from legends like Thomas Mapfumo and Oliver Mtukudzi and all of them make for a dynamic and essential snapshot of a transformative era in Zimbabwean music history.

Review: Analog Africa doesn't do anything other than special releases really, but this one tracing the label's origins back to Zimbabwe over 20 years ago is a real standout. A carefully curated collection of 25 tracks with a fine booklet proving plenty of extra context, it captures the birth of the country's modern music scene and brims with the creative sound explosion of the 70s and 80s. Before genres were fully defined, artists blended rock, rumba, soul and traditional rhythms in bold, experimental ways that still stand up and get diggers and dancers excited in 2025. Included are never-before-released tracks from Thomas Mapfumo, Oliver Mtukudzi and more and they all add up to rich and dynamic snapshot of Zimbabwe's peerless musical evolution during what was a transformative era.

Review: Fast rising London label Cornerman International present the first volume in a new LP compilation series, the first of which looks in on some of the best Latin cumbia to grace Peru during the genre's golden era. Corralling every bright group star from Los Tigres to Grupo Atlantic to Los Invasores, this is a sure-to-be obscurio's favourite, reflecting the diversity of styles bottleable within the otherwise rhythmic constraint that defines the cumbia sound, as it particularly proliferated across Peru during the 1960s. A convenient fusion with American psych rock elements would define the Peruvian sound, which soon became known as chicha, though other Latin American epicentres such as Colombia were also hotbeds of the style. Notably, the release revives the distinctive sound of El Volcan, a Cusco-based label that became a beacon for cumbia in the Andes and beyond.