Studio Equipment charts

Notes: *** Firmware update- 4th April 2024 ***

Improved Performance, Workflow Enhancements, and Powerful New Features for Producers, Performers, and DJs

To celebrate 404 Day, and as a huge thank you to the incredible SP-404 community of beatmakers and creative musicians, meet the free SP-404MKII Version 4.04 update.

Roland have packed Version 4.04 full of improved performance and new workflow features developed with feedback from the wide-ranging SP artist community. The free update also includes many enhancements that make the SP-404MKII an even more powerful tool for live performers, DJs, producers, and those looking to integrate more smoothly with a DAW.

Key features

Loop Capture (inspired by SP-555 Looper)
Multipad Export
Koala App Integration
Groove Function (inspired by VP-9000 VariPhrase)
Sound Generator
Preset Number of Measures for Sampling/Resampling
TR-REC Microscope Editing
Sample Merge SP-404MKII Version 4.04 Massive New Feature Set OTHER HIGHLIGHTS
Bounce Pattern Chains
Convert SP-404SX/A projects direct from SP-404MKII
Level meter when sampling
TR-REC Tap Recording
Record ROLL
New ROLL intervals
Import from SD while in DJ Mode
More Chromatic Mode scale types
Edit Sample and Project File names from SP-404MKII
Set Pad Colour per bank
New MFX - DJFX Delay
Import Project Files from SD card
Pads to which no samples are assigned can now be recorded into patterns.
Other operations can now be performed during sample import/export
External MIDI control of recording start / stop
External MIDI control of EXT SR
Maintain FX parameters with FX Bus Swap
FX BUS "Same Effect" warning message
Access Utility while in Pattern Mode
Blank pads not illuminated in screen saver mode
Bug fixes

Bigger, better, faster, stronger.

The SP-404MKII has everything you love about its predecessor-and so much more. You get 17 ultra-expressive pads and updated knobs for smooth, hands-on control, plus faster operation with speedy boot time, swift project loading and sample import, and 16 GB of internal storage. Longtime users and new beatmakers alike will feel right at home with the intuitive layout and classic SP effects, enhanced with a revamped sampling and sequencing workflow, standalone and Serato DJ modes to mix beats live, Skip Back Sampling and Loop Capture features, and many other powerful creative tools.

Guerilla beatmaking.

SP samplers are loved for their rapid workflow, portability, and tactile approach. The SP-404MKII takes this experience even further, retaining the light-yet-rugged design while adding features that make it even easier to create in any scenario. Bang out beats anywhere with AA or mobile battery power. Collaborate with a partner using the dual headphones outputs and mic/guitar input. Or capture and stream audio with your mobile device via USB. Onboard integration with the Koala Sampler app and Serato software is also included, allowing you to expand SP performances with a mobile device or laptop.

A sampler with soul.

With the SP-404MKII's vivid OLED screen and zoomable waveform view, sample editing is smooth like butter. Chop up samples by tapping out edit points in real time or use auto chop to slice samples automatically, and then finesse them with envelope and pitch shift. Convert any pattern or pattern chain to a sample with the press of a button. Call up the Groove Function to add swing and timing changes to sample phrases and drum loops. And use Skip Back Sampling to instantly grab those golden moments by capturing up to 40 seconds of audio from your last performance.

All about effects.

Process, flip, and twist your sounds with legendary SP effects and a selection of new classics. SP staples like Vinyl Simulator and DJFX Looper are joined by more recent additions such as Lo-fi, Cassette Simulator, and Resonator. Layer and route multiple bus effects and motion record effect parameters for intricate sound textures and dynamic playback. Or plug into the mic/guitar input and jam with ready-to-go Vocoder, Auto Pitch, Harmony, and Guitar Amp Simulator effects.

Performance-tuned sequencing.

The SP-404MKII makes it simple to create unique patterns and infuse performances with fresh energy, thanks to versatile real-time recording, deep editing options, and our intuitive TR-REC step sequencer. There's adjustable quantize and shuffle, a Roll button for performing and recording note repeats, and BPM-per-bank for instant tempo changes. Jam with samples live and organize patterns for chained playback in different sets. Sync with external MIDI gear and work with imported multitrack files. And use Multipad Export to save all samples within a pattern as individual WAV files for song development in your DAW.

Sound stash.

Dive into beatmaking with the pre-loaded sounds in the SP-404MKII's blazing-fast 16 GB of internal memory. There's a huge collection of curated samples to choose from and plenty of room to augment them with your private sound stash. You can now load even more sounds at once, with 160 samples across each project for expanded performance and beatmaking combinations. A Sound Generator is also available, allowing you to build mono synth tones and sample basslines, melodic phrases, and sound effects within the SP-404MKII.

Serato power.

The world's favorite portable sampler continues to expand, bridging seamlessly with the premier software tools in DJ and beat culture. SP-404MKII Version 5 and later brings native support for Serato DJ Lite, Serato DJ Pro,* and Serato Studio, transforming the hardware into a pre-mapped Serato controller ready for new directions in DJ sets, beatmaking, and song creation. Unleash sonic mayhem by fusing Serato's advanced audio processing with the SP-404MKII interface, blending the magic of Serato Stems technology with iconic SP effects. This dynamic connection blurs the lines between production and DJing, opening up creative possibilities no other setup can match.

*Connectivity with Serato DJ Pro requires a paid upgrade from Serato.

Break beats. Not banks.

You shouldn't need to take out a bank loan to make beats or produce tracks. The affordable SP-404MKII makes it easy to add its rapid workflow and characteristic sound to your setup, whether using it standalone or with other gear.

Customize it.

You work hard to be a unique artist-so why play on cookie-cutter gear that looks like everyone else's? Personalize your SP-404MKII with your own style or branding for a look that's as distinctive as your sound. Grab the faceplate template to create custom overlays, style your startup screen with personalized logos, or select a screensaver that matches your vibe.

Coloured control knobs pictured are sold separately and not available from Roland.

SP-404MKII App, Sample Packs, and more on Roland Cloud.

Download the SP-404MKII App from Roland Cloud Manager to go even deeper with your Mac or Windows computer. Access more detailed waveform editing, assign samples to pads, and import MIDI files and legacy SP-404SX and SP-404A projects for remixing and updating. You can also use the editor within Mac-based DAW workflows thanks to AU and VST3 plug-in support. And don't forget to check out our exclusive Beat Maker Sample Pack series, which offers new sonic material from legendary sound designers and musicians to inspire your next production.

Specifications:

Maximum Polyphony: 32 voices
Recordable Data: Samples = 2,560 (16 samples x 10 banks x 16 projects, stored in internal storage)
Patterns = 2,560 (16 patterns x 10 banks x 16 projects, stored in internal storage)
Internal storage: Size: 16 GB including preload data
Maximum sampling time: 16 minutes (approximately 176 MB per sample)
Skip Back Sampling: 25 seconds (capturing the last moments of performance)
Data format: 16-bit linear WAV, AIFF, MP3 import supported
SP-404MK2APP supports WAV, AIFF, MP3, FLAC, M4A.
Sampling frequency: 48kHz

External dimensions:

177.5 (W) x 275.8 (D) x 70.5 (H) mm7 (W) x 10-7/8 (D) x 2-13/16 (H) inches
Weight (excluding AC adaptor): 1.1 kg/2 lbs 7 oz

Notes: Big brother to the excellent MicroFreak, the MiniFreak is a hugely impressive hybrid synth, teaming dual digital sound engines with analogue filters for creative approaches to polyphonic sound.

Supplier notes:
MiniFreak is a 6-voice polyphonic hybrid keyboard that fuses two digital sound engines with analog filters, outside-the-box sequencing, and instant-access modulation in a playful, curious, and sometimes unpredictable way. MiniFreak encourages users to escape the ordinary and explore the unconventional with a 37-note velocity-sensitive keybed with aftertouch, weave intricate evolving performances with multiple modulation lanes, and discover endless sweet spots with a built-in digital FX engine - a wildly creative experience.

Unprecedented hybrid polyphony

With over 20 modes to choose from including Virtual Analog, FM, and Additive, the interplay between MiniFreak's two oscillators can result in truly unique compound sonic behavior. With 6-voice polyphony, analog filters, and the ability to process engine 1 through engine 2, MiniFreak puts premium polyphonic synthesis exploration into a compact & tactile instrument that's as addictive as it is powerful.

Customizable & experimental sound design

Embellishing the popular Freak modulation matrix, MiniFreak gives users even more control over shaping, transforming, and evolving their sound, with features like polyphonic ADSR envelopes, customizable multi-segment LFO shapes, FM & Ring Modulation, and the familiar Spice & Dice randomization.

Mix-ready stereo sound

MiniFreak comes with stereo outputs and 3 digital FX slots with 10 FX types to choose from. From stereo-enhancing chorus, to surgical 3-band EQ, to gritty 6-mode distortion, users will have everything they need to push their sound over the edge while keeping it mix-ready.

Expression, meet chaos

Despite its penchant for wild & exploratory sound design, MiniFreak is also built as a responsive instrument of expression. Its velocity-sensitive 37-note keybed with aftertouch and spontaneous Seq/Arp functionality makes it a dream to perform with, while its randomization features and modulation lanes put playfulness and sonic momentum immediately at users' fingertips.MiniFreak VMiniFreak comes with a dedicated VST counterpart, letting users totally integrate its unique hybrid sound into their DAW productions and vice versa. Using identical sound engines and architecture, it offers a like-for-like virtual experience of the synth itself, at no extra cost.

What's in the box:

Box content
MiniFreak Unit
Universal PSU - 12V 1A
USB A to USB 2.0
Registration card

Instrument dimensions
Size : 22.75 x 9.09 x 1.57 inches (578 x 231 x 55mm)
Weight : 6.48 lbs. (2.94 Kg)

Notes: Part of Sonicware's brilliant Liven series of affordable, creative groove boxes, the Ambient O packs in layers of drone, textures and noise sources to create engrossing soundscapes. Creative, experimental fun.

*** Firmware version 1.5 update- March 2025 ***

Temperament Settings for Each Track

In addition to the standard 12-tone equal temperament, you can now set 7 different temperaments per pattern, including Pure intonation, Pythagorean tuning, and Solfeggio frequencies.

64 Sound Pattern Palettes

Featuring 32 newly added sounds & patterns, along with 16 Sound Healing Vibes sounds.

Relaxation Playback Mode

Arrange your favourite patterns, set repeats and fade-outs, then let it gently fill your space with ambient sound. (Seamless pattern changes improved: if sound settings remain the same, transitions will now be smooth without audio interruptions.)

Master Tune Now Adjustable in Hz?Master tuning, previously adjustable in cents, can now also be set in Hz increments (410 - 470 Hz).

Line In Selectable on NOISE Layer

The NOISE layer can now be selected to Line In, allowing the application of Filter, LFOs, and other track-level controls to the input signal.

New LFO Waveforms & Assignment

Added three slow LFO waveforms (L.SIN, L.TRI, L.S.RN). Additionally, oscillator level can now be assigned as an LFO destination.

Pitch Bend Range Setting

You can now configure the pitch bend range in the system settings.

Changes in Oscillator Usage

Due to specification changes, the NOISE layer now consumes only one oscillator, while the ATMO 2 structure now consumes three oscillators.

Bug Fixes & Improvements

Fixed MIDI CC issues and addressed other minor bugs.


Supplier's Notes:
Your Personal Soundscape:

Conversations between Oscillating Tones and Your Mind

Immersive Ambient Generator

4 layers of tone and texture-Drone, Pad, Atmos, and Noise-merge to generate deep resonance and continuous transformation.

Ambient O (zero) is incredibly easy to use. Start by playing a tone from one layer using the note hold function. While listening closely, simply tweak the knobs to modify the tone and add other layers to shape a pleasing sound.

Blendwave Modulation Synthesis

Sonicware conducted extensive research into creating undulating and fluctuating tones for Ambient O, resulting in the development of a new wavetable-based synthesis.

Blendwave Modulation Synthesis combines 6 unique structures with 32 WAVEs featuring complex harmonic transitions, making it easy to create powerful low drones, lush pads, and transparent pizzicatos, perfect for Ambient Music.

4 knobs/8 parameters offer a wide range of tone creation.

A WAVE contains 128 harmonic tables, allowing for diverse tonal changes such as moving from basic waveforms to complex harmonics. The WAVE is represented by a yin-yang icon, with the yin representing moves in the reverse direction through the tables during modulation.

6 Structures - Each structure has a different number of oscillators and modulation circuits. ATMOS 1 applies ring modulation, while ATMOS 2 applies FM modulation.

Noise and Space

The Noise layer includes 8 specially selected nature sounds, offering noise blending, pitch adjustment and modulation to infuse unique spatial characteristics.

Additionally, it allows for up to 8 seconds of stereo sampling from the line input, letting you create personalized textures.

Extensive Effects Section

Ambient O is equipped with 9 types of lush reverb, each offering unique spatial dimensions and brightness settings. You can individually adjust the reverb send and shimmer send (for layering octaves) for each layer.

In addition to the reverb, the Ambient O offers an effect unit with Tape Delay, Reverse Delay, and 4 master effects; Overdrive, Bit/Rate Crush, Tilt EQ, and Stereo Chorus.

Sequence up to 64 steps per pattern.
Random playback of sequence phrases.
Probability of notes sounding can be set from 25 - 100%.
Program notes step by step or record them in real time. Additionally, you can also input notes to specific steps while the sequencer is playing to add variation.
Overwrite notes in real-time with one touch while playing back sequence phrases.
The Parameter Lock function allows you to record knob changes into your patterns. This can be recorded live, or programmed in step by step.

Specifications

[Synthesiser]

- Note Hold function
- 128 Sound Pattern Palettes (incl. 16 types of preset palettes)
- Mixing including level/pan for each layer
- Layer (Sound) copy and paste function
- Tune All function changes the pitch of all layers (i1 octave in 20-cent steps, adjustable in 1-cent step)
- Standard polyphony: 10 voices (depending the structure's oscillators x simultaneous voices)

4 Layer Construction
Drone, Pad, Atmos Layers
- New Blendwave Modulation Synthesis for creating undulating and fluctuating tones
- 6 Structures, 32 Waves
Drone 1: 2 oscillators, modulates Detune
Drone 2: 2 oscillators, modulates Harmonics
Pad 1: 3 oscillators, modulates Harmonics
Pad 2: 3 oscillators, modulates Harmonics
Atmos 1: 1 oscillator, ring modulation on output
Atmos 2: 2 oscillators (frequency modulation), modulates Pitch

- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Unison mode (adjustable detune)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

Noise Layer
- 1 Structure, 8 Waves
Noise: 1 oscillator, modulates Pitch
- Loop or One-shot playback, White noise mixing
- 16bit - 32kHz Linear PCM sampling (stereo)
- Up to 8 seconds of sampling per sample (crossfade settings from 1 to 4 seconds)
- Auto start sampling function with the input level (input level can be set)
- Import and export of a slot of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.

- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
Each layer has its own envelope, filter and 2LFOs.

- Attack
- Release

- Low Pass Filter
- High Pass Filter
- Band Pass Filter

- 2 LFOs assignable to various parameters (individually adjustable)
- Adjustable LFO Shapes and trigger count

[Effects]
9 types of high-quality reverb (Send amount to reverb and shimmer adjustable per layer)
- Small.L
- Small.M
- Small.H
- Large.L
- Large.M
- Large.H
- Infinity.L
- Infinity.M
- Infinity.H
6 types of diverse master effects
- Tape Delay
- Reverse Delay
- Overdrive
- Bit/Rate Crush
- Tilt EQ
- Stereo Chorus
The above reverb and master effects can also be applied to external sources from the LINE IN.

[Sequencer]
- 4 tracks (1 track on each layer)
- Up to 64 steps per pattern
- Step length can be set from 1/1 to 1/32 or 2/1(Breve) to 8/1(Maxima)
- Real-time recording
- Overwrite REC function for real-time sequence replacement
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order

[MIDI]
- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)


- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Notes: Excellent value from Arturia's hugely popular mini controller. 25-key design with pads, faders, rotary pots and transport controls for full hands-on playability of software synths and DAW features.

Supplier notes:
MiniLAB 3 is a compact MIDI keyboard & pad controller that lets users make music, right out the box. With a creative plug-and-play workflow, versatile assignable controls, 500 curated sounds from Analog Lab's massive library, and a bundle of world-class creative software, MiniLAB 3 is designed to finally help beginners and professionals to get truly immersed in their music creation flow, whatever their style.

Hands-on, easy to use

From the great-feeling keyboard to the smart DAW-integrated pads & faders, to the real-time mini display, every aspect of MiniLAB 3 is designed to be intuitive, expressive, and a joy to use - for beginners and pros alike.

Creative features

Enjoy a workflow that aids the creative process, with features like a built-in arpeggiator, Chord mode, custom DAW presets, and easy transposition. Making music has never been so accessible.

Portable, compatible design

MiniLAB 3 is built to fit seamlessly into any setup, from bedroom to stage, with its compact & lightweight design, deeper DAW integration, and MIDI out & USB-C connectivity.

Eco-Designed

MiniLAB 3 is built with longevity and sustainability in mind. A rugged road-ready design, 5-year warranty, minimum 50% recycled plastic construction, and 100% recycled packaging means this controller goes the distance.

Creative software included

On top of a world-class MIDI controller, users get a full package of premium music-making software, from an industry-standard DAW to well over 500 synth & keyboard presets.

Production-ready bundle

Everything that users need to start creating their own music. Explore premium tools like Ableton Live Lite, Analog Lab Intro, UVI Model D grand piano, and Native Instruments "The Gentleman upright piano; enjoy access to millions of royalty-free lifetime loops & samples with a Loopcloud 2 months subscription + 1 Welcome pack + 1 pack of your choice; get to grips with playing keyboard, finger drumming, DAW production, and even music theory with a Melodics "unlimited" trial subscription & bonus lessons.

What's fun to play with

MIDI Control Center

Use the Midi Control Center to customize your MiniLAB. You can change the Velocity curves (keyboard and pads), the Knobs acceleration, the Pedal input type and polarity, the Message types with their Min and Max values, the MIDI Channels, and much more. Shape the MiniLAB exactly the way you need it to be.

Switch MIDI Channel - Shift + a key with a number above it will change the MIDI Channel.

Hold a note - When engaged, every note played will be held. Playing new notes will replace the previously held notes.

Chord mode- Shift + Hold will activate "Chord mode". Then, just play one note and it will play the full chord with the pressed note as the root note. You can record a custom chord by keeping Shift + Hold pressed while entering up to 16 notes.

Transposition - Transpose the whole keyboard by octaves or semitones by pressing Oct or Shift + Oct.

Transport Control - While pressing Shift, you can use the corresponding pads to Play, Stop, Record, Loop, and tap the tempo.

Arpeggiator mode - Shift + Pad#1 engages/disengages the Arp. Long press Shift + Pad#1 to enter the Arp settings. Then use the 8 knobs or the main encoder to set the Arp as you please.

Hold + Chord + Arp - Can be activated at the same time, allowing you to keep the Arp running while tweaking the parameters of a preset.

Pad banks - Shift + Pad#2 toggles between Bank A and B).

Programs - Shift + Pad#3 cycle through the programs. Arturia and DAW programs will automatically connect to any Arturia Software or DAW if there is one open on the computer. You can create and add some User Programs to customize the MIDI CCs, notes, pad colours etc.

Arturia Program - use the main encoder to browse through presets. Press the Main encoder to select a Preset. Long Press the main encoder to like/unlike the Preset. Shift + Main encoder will browse through Types. Select one, and then browse through the filtered presets.

DAW Program - use the main encoder (turn or click), and "Shift + the main encoder" (Shift + Turn and Shift + Click) to access different features depending on the connected DAW.

Back Panel connectivity
USB-C = Connect to a computer or a power source
Control Input = you can set the pedal input to be Sustain, Expression or Footswitch.
MIDI Out = Send midi through MIDI Din port

Notes: High quality audio leads for exceptional sound quality and reliability. Twinned high grade cable comprises 2 insulated pure copper cores and global shielding.

The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling.

Terminated at one end with a 6.3mm stereo (TRS) jack and at the other end with 2 x 6.3mm mono jack plugs.

Notes: MicroLab mk3 is designed for today's modern creatives. Its ultra-compact form factor, high-quality keybed, and intuitive controls make it the perfect MIDI controller for producers working in small studios, on the go, or just starting their music production journey.

With a durable, lightweight design and plug-and-play USB connectivity, MicroLab mk3 fits seamlessly into any workflow - empowering you to start making music instantly. Enjoy complete integration with leading software including Analog Lab Intro and Ableton Live Lite, and extend your creativity with features like chord mode and dual touch strips for expressive performance.

Small, lightweight, durable, and USB-powered - ideal for mobile music-making and compact studio setups.

With a high-quality slim keybed, MicroLab mk3 delivers a responsive and true playing experience that your music deserves.

MicroLab mk3 delivers big sound with 500 curated presets from Analog Lab Intro, intuitive control via four buttons and two touch strips, and instant music production with Ableton Live Lite.

Its plug-and-play USB connectivity and intuitive features ensures you can start creating music right away - no hassle, no setup.

Main Features

High quality keybed

25-note velocity-sensitive slim keyboard, responsive and expressive.

Controls

2 touch strips for pitch bend and modulation.
4 control buttons for octave shift and navigation.

Smart features

Chord Mode - Play full chords with a single key
Hold function
Octave up and down buttons
Semitone transpose

Software integration

Seamless compatibility with all major DAWs and soft synths.
Analog Lab & V Collection browsing - Explore 500 curated sounds instantly.

Included Software titles & services

Analog Lab Intro - 500 sounds from iconic synths and keyboards.
Ableton Live Lite - Essential tools for recording and producing music.

Connectivity

USB-C powered for instant plug-and-play operation.
MIDI class-compliant - Multiclient MIDI driver for Windows.
Compatible with iPads & Android devices (via adapter).
Sustain pedal input - Connect a sustain or expression pedal for enhanced performance.

Size & weight

Size (mm): 406 x 39 x 125 mm
Size (in): 15.98 x 1.54 x 4.92 in
Weight (kg): 0.62 kg
Weight (lb): 1.37 lb

Notes: Excellent value all-rounders from Rode, the NTH-50s offer precise, detailed sound to match their slick, stylish looks. Custom 40mm drivers and ergonomic design provide a nice combination of sound and comfort.

Supplier's Notes:
The NTH-50 professional on-ear headphones combine exceptional sonic performance, superior comfort, and a sleek and durable design that make them the perfect companion for DJs, music producers, content creators and audiophiles. The custom driver array features a revolutionary acoustic design with an innovative resonant chamber, and is precision-tuned for incredibly accurate and detailed audio reproduction with ultra-low distortion. Not only does this result in a more natural sound signature than other on-ear headphones, but it also offers superior external noise isolation. To minimise wearing fatigue and ensure optimal comfort, they feature a contoured headband and an ergonomic earcup structure to reduce pressure on your head and ears during longer sessions. With a lightweight, compact design combined with premium materials and a rugged build, the NTH-50 headphones are with you for the long-haul, ready for the rigours of the road and the studio alike, day in, day out.

Acoustic & electrical specifications

Transducer Size: 40mm
Transducer Type: Dynamic
Operating Principle: Closed
Ear Coupling: Supra-Aural/On-Ear
Frequency Response: 5Hz - 35Khz
Impedance: 32 O
Sensitivity @1mW / 500Hz: 102 dB SPL Sensitivity @1V (RMS) / 500Hz: 117 dB SPL
Total Harmonic Distortion @1mW: < 0.2 % @100Hz < 0.03% @500Hz
Total Harmonic Distortion @100Hz: 0.05% @100dB SPL 0.5% @120dB SPL
Short Term Max Input Power: 100 mW
Long Term Max Input Power: 50 mW
Max SPL: 124 dB SPL
Ambient Noise Attenuation: 21 dBA
Connection Type: Dual TRRS Cable Attachments

Mechanical specifications

Weight (grams): 220
Cable Length: 1.7m coiled cable
Included Accessories:
1 x Headphone Cable
1 x 3.5mm to 1/4-inch Adaptor
1 x Storage Pouch
1 x COLORS ID Set

What's in the box

1 x NTH-50 Headphones
1 x Storage Pouch
1 x Headphone Cable
1 x COLORS ID Set
1 x 3.5mm to 1/4-inch Adaptor

Notes: Instant ambient bliss coupled with the powerful ambience processing is a brand-new Ensemble engine, capable of creating pads and soundscapes that follow your playing organically - so if you change pickups or play in a different place on the neck you get different results. It's unlike anything you've ever heard or played before, all wrapped in a smaller form factor that still manages to house full stereo I/O, TRS MIDI and USB-C connectors on the back panel. Prepare to be inspired!

Cloudburst's Ensemble switch reveals a whole new world of captivating sounds never previously heard from a reverb pedal. Use it subtly to add harmonically rich and otherworldly dimensions to your ambient reverb soundscapes, or use it liberally to hear a lush synthesized string section swell under your guitar playing. Ensemble reacts to your entire guitar signal in an organic and musical way, delivering a richly responsive and uniquely inspiring playing experience.

Cloudburst gives you multiple reverb experiences, with beautifully-tuned and natural small spaces at one end of the Decay knob and vast, expansive atmospheres at the other. As you turn the Decay control numerous internal parameters are automatically adjusted, allowing this ambient reverb pedal to produce outstanding studio-quality spaces of any size at the turn of a single knob.

All of the premium components, sound quality and road-worthiness you expect from a Strymon reverb pedal are here in Cloudburst's new compact format. Featuring unbeatable ease of use and some of the finest reverb sounds we've ever created, Cloudburst could easily be the only reverb pedal you need on your pedalboard.

Notes: Explore malleable sound. Mold, carve, bend.

The S-4 is a sculpting sampler designed to capture and transform sounds. Merging tape-era workflows with cutting-edge technology, the S-4 redefines sound mangling by providing a futuristic platform for crafting unique soundscapes and compositions, using samples and real-time audio processing.

S-4 is a tool made for sonic explorers. It has four parallel stereo tracks, each with an audio engine featuring a chain of audio devices including samplers, live granular processing, morphing resonators, and a range of audio effects. A novel modulation system allows anything and everything to be modulated with four modulators per track. Capture sounds on the fly with the onboard microphone and stereo line input, or load samples from the 4GB internal flash storage.

Use cases

The S-4 is a versatile powerhouse, capable of serving as an effects processor, transformative sound designer, tape machine, live looper, classic sample player, or textural synthesizer.

Tape machine

Capture your surroundings. Use S-4 as a transformative four-track tape machine.

Effect processor

Manipulate live audio, and add colour and textures to your beats, melodies, and sounds

Midi controlled sampler

Hook up a MIDI keyboard or sequencer and use S-4 as a powerful textural synthesizer and sample player.

Audio engine

Push the creative boundaries and transform audio into uncharted depths. S-4 has four parallel stereo tracks, each of which contains a chain of five audio devices tailored to cover specific sonic areas and applications. Create everything from glittering textures to broken soundscapes or evolving synth sounds.

Together, the devices form a playful toolbox for sculpting sample material and live audio.

Material

Stereo tape and sample players with live audio and looping capabilities.

Granular

Live granular processing with time-warping and pitch-shifting algorithms.

Filter

Morphing resonator: 48-band tuned filter bank with animation, tonal control, and classic filter functions.

Colour

Collection of destructive effects including bit crushing, drive, and compression.

Space

Combined reverb and delay with pitch-shifting and shimmer.

Modulation system

Animate and bring life to any parameter using the rich and unique modulation system. Each track has four configurable modulators that can be mapped to any parameter with unlimited mapping destinations. It is even possible to do cross-modulation between modulators. Choose between a range of different modulators from complex LFOs, and generative sequencers to envelopes.

Capture your surroundings

Utilize the built-in microphone to record sounds, sample and loop your external gear with the stereo line input, resample the internal tracks, or effortlessly load samples from the S-4's flash memory or an external drive.

Versatile powerhouse

The S-4 is designed with durable RGB buttons offering tactile feedback and a high-quality 3.5-inch LCD display ensuring all the visual feedback you need. It features USB connectivity for seamless connection to class-compliant devices and effortless file transfers to and from your laptop. Moreover, it can function as an audio interface when you require a simplified setup. You can also expand the number of inputs and outputs by connecting a class-compliant external USB interface.

Technical specifications

Audio engine features

4 parallel stereo audio tracks
Tape player with live looping capabilities
Polyphonic sample player
Live granular processing with time-warping and pitch-shifting algorithms
Morphing resonator (48-band filter bank)
Bit crushing, drive, and compression
Combined reverb and delay with pitch-shifting and shimmer

Modulation features

4 modulators per track
Modulate any parameter of the audio engine
Modulator types:
- Complex LFOs
- Generative sequencing tools
- Envelopes

Hardware

Quad-core 1.5 GHz processor
4 GB flash memory (sample pool)
24-bit / 48 kHz stereo audio in and out

I/O

2 line-inputs
2 line-outputs
Built-in microphone
Stereo headphone output
MIDI in/out
Analog sync in/out
USB-C

Miscellaneous

WiFi - Ableton Link
Class-compliant USB audio interface
Expandable number of inputs/outputs with class-compliant USB interfaces

User Interface

High-resolution LCD colour display, 3.5 inch
21 tactile RGB buttons
9 high-quality endless encoders

Physical

Matte black aluminium casing
Dimensions: 242 x 156 x 39 mm (9.5" x 6.1" x 1.5")
Weight: 820g (1.8 lbs)

Notes: iLok3- now available with USB-C connection.

With USB-C ports becoming increasingly commonplace, PACE have launched a USB-C version of the iLok3. Customers whose computer only has USB-C ports can use this iLok without an additional USB Type-A to USB Type-C adaptor.

This new version does not replace the USB-A iLok3 - both versions will be available.

Notes: Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: ALM Busy Circuits' Din-Sync Adapter cable lets users route "clock" and "run" Din-Sync signals via two 3.5mm mono jacks. It's a great way to sync one's Eurorack modular sequencer with external drum machines, synthesizers, and more.

Notes: Somewhere between an analogue drum synth and a dub siren, the DS71 is a uniquely creative little box. Properly versatile, experimental stuff.

Supplier's Notes:
The DS71 is a synthesizer designed to easily create many different dub siren tones at your fingertips. It combines analog synth voicing circuitry with a powerful digital LFO that allows for quick access to different sounds at the press of a button. Inspired by the classic analog drum-synth modules and re-interpreted as dub siren.

Audio output: impedance balanced 1/4" TRS Jack

Trigger input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm x 5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

12VDC 1A power supply included.

Notes: Male 3.5mm (1/8") TRS to Female 5-pin DIN adapter.

This adapter cable will connect the Organelle M's TRS-MIDI In or Out ports to another device with a 5-pin DIN MIDI port.

This adapter cable is TRS-MIDI Type A as set by the MIDI Manufacturers Association. Type A is the adopted standard of the MMA.

Overall length: 10.25" (~26cm)

Notes: High quality audio leads for exceptional sound quality and reliability. High grade cable comprises an insulated pure copper core and global shielding.

The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Terminated at one end with a 6.3mm stereo (TRS) jack plug and at the other end with a male XLR connector.

Notes: The legendary Buchla 259 complex oscillator gets the officially licensed Eurorack treatment from TipTop Audio. One of the most versatile and characterful VCOs ever made, with endless cross-modulation options and wave shaping features. Iconic.

Supplier's Notes:
The 259t is the largest and most complex analogue oscillator from Don Buchla's legendary 200 modular synthesiser. The 259 originated the concept of the "Complex Oscillator" in the 1970s and has been reissued by Buchla and Tiptop Audio in Eurorack format. The module consists of two oscillators, called the Modulator and Principal, with a middle section that provides voltage control over the internal modulation paths between the two oscillators, resulting in highly complex timbres. Additionally, the principal oscillator passes through multiple unique voltage-controlled waveshapers and crossfaders for further signal processing. The module's pitch can be controlled with 1V/OCT or via its internal auto-tuner and ART control to create precisely pitched notes.

Notes: Mantis have taken years of experience with Eurorack to create a low-cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. Mantis is an instrument that is at home on stage, touring, or in the center of the studio.

Mantis has two rows of 104HP for you to rack your modules. It comes fully powered and assembled, just drop in your modules and play.

Using its sophisticated leg mechanism, you can set it to three different positions: 0, 45, and 90 degrees.

Power Power and more Power! With Mantis, say bye-bye to the tedious, never-ending calculation of current consumption for the i12V power. Mantis comes with a juicy Zeus power supply that delivers plenty of power both now and for the future.

Mantis deep black coloru gives you another option to customize your Eurorack look and matches perfectly with black Tiptop Audio modules.

Mantis comes with real Z-Rails made according to Eurorack enclosure standards. No sliding nuts or wrong spacing! It also has keyed power connectors to help protect your modules from damage from plugging the power in in reverse.

Weighing only 3kg/6.5lb, Mantis is so light, traveling has never been so relaxed.

Dual Mantis Studio Brackets

Using the optional bracket accessory Mantis can be doubled up to 416HP! Multiply your Mantis and watch your studio setup grow.

Notes: The Attenuator Cable is a cable with one jack input socket on one side, an output socket on the other side and a slider in the middle that gives the user the opportunity to attenuate both CV and audio signals traveling between modules. You simply connect a 3,5mm patch cable to the input socket of the Attenuator Cable and connect the output jack plug to any input of your liking. You can use the slider in the middle of the cable to attenuate and adjust the signal, easy peasy! The cable design has been optimized to function with any CV or audio signal and with all known and widely available 3,5mm jack cables.

Notes: A High quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180 degree 5 pin DIN plug.

Notes: High quality audio leads for exceptional sound quality and reliability. High grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Terminated at one end with a 3.5mm stereo (TRS) jack and at the other end with a 6.3mm stereo (TRS) jack plug.

Notes: UDG Ultimate Audio Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

Notes: When the classic MS-20 analog synthesizer appeared in 1978, it had a trusted partner in the SQ-10 step sequencer. Now, after thirty years, the MS-20 has been reborn as the MS-20 mini, and the SQ-10 has evolved into the more modern SQ-1.

The SQ-1 is a compact step sequencer with 2 x 8 steps. It's wealth of connection jacks allows it to be connected to the MS-20 and a variety of other synthesizers. Vintage analog synths or the latest compact synths can be controlled from this single unit. You can also switch between a variety of synthesizer modes and use the step buttons to create performances overflowing with spontaneity, just as when using a volca unit.

Liberate yourself from the numerically-bound parameter editing that's typical on a DAW; you'll enjoy truly musical inspiration as you train your ears and concentrate on what your fingertips are doing. Don't miss the experience of music that's driven by your instinct.

Rather than the commonly used V/Oct standard, the CV design of the MS-20 always used the Hz/V standard that provides excellent pitch stability limiting the step sequencers that are able to correctly control the MS-20. As a descendant of the SQ-10, the SQ-1 supports the Hz/V standard, enabling it to perfectly control the MS-20 or MS-20 mini. It goes without saying the V/Oct standard is also supported, and the voltage level of the CV output and polarity of the GATE output can be specified as appropriate for the device you've connected. This versatility will enable you to control a wide variety of other synthesizers as well.

As a connector, the SQ-1 provides two CV/GATE OUT channels, the standard MIDI OUT and USB MIDI, littleBits out (to connect to the littleBits synth kit by littleBits Electronics Inc.), plus the SYNC IN/OUT channel that allows you to connect to the volca series and monotribe. Compact and complete with all the functions you need, the SQ-1 is the ideal hardware sequencer.

The SQ-1 provides two channels (A and B) of 8-step sequencer that can operate consecutively, or be used in a variety of other modes. For example, you can run A and B following each other to function as a 16-step sequencer, ignore the order and make the steps play randomly, or use A and B to control different parameters as they run in parallel. From simple sequences to complex changes, you can choose from a variety of modes to suit your needs.

The 2 x 8 step buttons can be used in the usual way to turn notes on/off, but you can also use the MODE button to switch their function, opening up powerful possibilities such as letting you "perform" the sequence itself, as on a volca unit.

"Active Step" lets you skip steps mid-way through a sequence, and "Step Jump" lets you instantly play just the step that you press, producing irregular rhythms or effects that are reminiscent of short loops. "Slide" produces an effect in which steps are connected smoothly; using this to control a synth bass is an easy way for anyone to generate an acid sound.

Packed with carefully selected functionality, the SQ-1 features a compact and very sturdy sheet-metal body. Placed beside the MS-20 series, you'll notice a sense of solidity that gives the impression they were manufactured in the same era. The unit can operate on two AA batteries or on USB bus power.

Sequence step resolution is selectable as quarter notes, eighth notes, or 16th notes.

You can specify the way in which the step knobs control the pitch. The knob values can specify the pitch directly, or they can specify the closest note in a major, minor, or chromatic scale.

Notes: Second-generation version of the 'noodler' device from Conductive Labs, the NDLR v2 aims to simplify music theory and unlock creative ideas, making it easy to create and perform arpeggios, drones, chords and other patterns. Hook up to your synths and software over MIDI, USB or analogue clock.

Supplier's notes:

Conductive Labs have turned complex music theory into a killer synthesizer jamming MIDI controller. With four parts that can play up to 8 synths, you can make fantastic electronic music, such as soundscapes, electronica, ambient, electro, or techno to name a few. Whether noodling in your music space after work or jamming with friends, The NDLR can take your music to amazing places!

Press one of the seven chord buttons, and the two arpeggiators and drone follow the chord notes while your polyphonic synth sings with pads.

There are start and stop buttons for each of the four parts, and a button to start/stop all parts. And there's a "panic" button to stop all MIDI notes.

A colour LCD screen shows you everything that's going on. A very flat menu structure keeps menu diving to a minimum.

Pick a key, a mode and control the BPM of The NDLR's MIDI clock.

With two sets of 5 pin DIN MIDI inputs and outputs, and four USB MIDI virtual ports you have lots of ways to connect your MIDI devices. There is also CV clock in and out connectors to sync with your Korg Volcas, modular or semi modular synths.

It works with MIDI hardware synths, and your DAW or tablet, if that's your thing.

Once you master the basics, dive into the 8x modulation matrix. It lets you animate most of The NDLR's parameters. You can even send LFOs to your MIDI gear.

The NDLR includes a Pattern editor to make arp and modulation patterns, a rhythm editor and now a Chord Sequencer too! Once you have your perfect piece, you can save your patches.

What's new in The NDLR (v2)?
By popular demand, a soft-power button has added. The NDLR (v2) is powder coated with a black faceplate and beautiful red base. And the internals were modified for a new, faster microcontroller. The feature set remains the same, though there are some surprises waiting to be discovered in the menus. So far, new features are being back ported to the original The NDLR via firmware updates, as long as it does not require the faster processor.

The Four Parts


The PAD part is a polyphonic chord player for getting beautiful PADs out of your favourite poly synth. Like all of the other parts, the PAD plays notes based on the selected global chord. When you press a chord button the notes stay on until you press the next chord or stop the part, so you can twist knobs on your synths or play a lead part on guitar. Change or modulate the chord octave position, note range, spread, and strum.

A really cool feature of the PAD part is the "Interleaved Poly-Chain". When enabled, this will send the chord notes to up to 4 MIDI channels in a round robin fashion. Really great for ethereal evolving patches on a multi-timbral synth, or for turning multiple mono-synths into a poly synth! Six voices from 2 Volca FMs? Sure!

There are two "Motifs" which are extremely versatile sequenced arpeggiators. Select a pattern for each one and press Play! Independently tweak on clock division, pattern length, octave position and more. You can create your own patterns with the onboard pattern editor, and add rhythm with the onboard Rhythm editor. The motifs play the notes contained in the currently selected chord, so you don't need to pick notes on a keyboard. The NDLR supports a 10 to 300 BPM clock so play as fast or slow as you like, or use an external clock source.

The Drone part can play a single continuous note like a traditional drone does... or choose from various retrigging options, such as having the note retrigger on a chord change, the down beat, every beat, up beat, etc. You can also choose to add a 3rd and/or 5th note to the root note for a polyphonic drone. Or have the drone play a thundering kick drum if you want to.

Hardware

Requirements:

USB Power Supply not included; The NDLR (v2) runs on 5V DC, 140mA. The original is 90mA.
The NDLR comes with a 6 foot USB cable. You can purchase longer or shorter cables as needed, with USB A to USB B connectors. Users of newer Macs may need to purchase a USB B to USB C cable or use an adapter.
MIDI Synthesizer(s); The NDLR is a MIDI playing device, it doesn't make any sound on its own, it sends MIDI messages to your MIDI sound modules. It can play most anything with MIDI input including vintage synths, modern synths, mono and polyphonic synths, software synthesizers, on an iPad, PC, stand-alone or VSTs in a DAW. Note that some vintage synths or synths with poor MIDI implementations may be prone to getting stuck notes. Use the Panic button on The NDLR when needed.
To connect many synths, and for the best MIDI timing we recommend using an active, 1 input to 4 or more outputs MIDI thru device or MIDI router, such as the MRCC.
The NDLR has rich velocity controls if your synths support velocity, not all do.
The NDLR can be controlled with an external MIDI controller or sequencer. See The NDLR Setup Examples in The NDLR User Manual for details.

Physical Layout:
Dims: Size 9"W x 6.3"L x 2.8?H (22.8 x 16 x 7.1cm)
Color LCD Screen 1.8" (128×160)
8 Rotary Encoders w/ switch
7 Chord Buttons (degree / type)
4 Play/Pause Buttons (PAD, Drone, Motif 1, Motif 2)
Motif 1 or Motif 2 Select
Global Play/Stop Button
Shift & Menu Buttons
Recessed Firmware Update Button (upgrades via USB)

Physical Input/Output:
2x MIDI 5-Pin Inputs
2x MIDI 5-Pin Outputs
1x USB w/ 4 Virtual USB MIDI I/O ports + Power
1x Clock Out 1/8th inch jack
1x Clock In 1/8th inch jack
Limited Warranty:
The NDLR comes with a limited warranty to the original owner for 1 year (or the minimum time required by law in your country) from the time you received it.
Consumables, such as the USB cable and accessories have a 90 day limited warranty.

MIDI

MIDI-in Options:
Connect a MIDI keyboard or sequencer and The NDLR selectable transpose MIDI channel to transpose from the key of "C" to the current NDLR key & mode.
Use a MIDI keyboard or sequencer to select chords. Choose The NDLR "Control-In" MIDI channel. The white keys map to chord degrees I-VII. Optionally black keys map to the chord type. Sonority is automatic based on key & mode.
Most features of The NDLR can be controlled by inbound CC messages.
All notes and CCs pass thru except for The NDLR control channel.
With 2 MIDI 5 pin and 4 USB MIDI in and outs, The NDLR is a MIDI merger and a MIDI splitter. See the manual for details.
MIDI-out Options:
Selectable Drone MIDI-out channel (Off, Pad, 1-16). Pad choice means same as Pad channel.
Selectable Pad MIDI-out channel (1-16). Poly-chains play on next successive MIDI-out channel(s). Example: Pad MIDI-out ch = 4. Polychain = 1 - all pad notes on ch 4. Polychain = 2 - every two notes plays on channels 4/5. Polychain = 4 - every 4 notes plays on channels 4/5/6/7. If you are playing 6 notes with Polychain = 2, note1->ch4, note2->ch5, note3->ch4, note4->ch5, note5->ch4, etc.
Selectable Motif 1 MIDI-out port and channel.
Selectable Motif 2 MIDI-out port and channel.
MIDI out ports are USB 1 thru 4, and 5 pin din MIDI A and MIDI B.

Notes: MicroLab mk3 is designed for today's modern creatives. Its ultra-compact form factor, high-quality keybed, and intuitive controls make it the perfect MIDI controller for producers working in small studios, on the go, or just starting their music production journey.

With a durable, lightweight design and plug-and-play USB connectivity, MicroLab mk3 fits seamlessly into any workflow - empowering you to start making music instantly. Enjoy complete integration with leading software including Analog Lab Intro and Ableton Live Lite, and extend your creativity with features like chord mode and dual touch strips for expressive performance.

Small, lightweight, durable, and USB-powered - ideal for mobile music-making and compact studio setups.

With a high-quality slim keybed, MicroLab mk3 delivers a responsive and true playing experience that your music deserves.

MicroLab mk3 delivers big sound with 500 curated presets from Analog Lab Intro, intuitive control via four buttons and two touch strips, and instant music production with Ableton Live Lite.

Its plug-and-play USB connectivity and intuitive features ensures you can start creating music right away - no hassle, no setup.

Main Features

High quality keybed

25-note velocity-sensitive slim keyboard, responsive and expressive.

Controls

2 touch strips for pitch bend and modulation, 4 control buttons for octave shift and navigation

Smart features

Chord Mode - Play full chords with a single key
Hold function
Octave up and down buttons
Semitone transpose

Software integration

Seamless compatibility with all major DAWs and soft synths.
Analog Lab & V Collection browsing - Explore 500 curated sounds instantly.

Included Software titles & services

Analog Lab Intro - 500 sounds from iconic synths and keyboards.
Ableton Live Lite - Essential tools for recording and producing music.

Connectivity

USB-C powered for instant plug-and-play operation.
MIDI class-compliant - Multiclient MIDI driver for Windows.
Compatible with iPads & Android devices (via adapter).
Sustain pedal input - Connect a sustain or expression pedal for enhanced performance.

Size & weight

Size (mm): 406 x 39 x 125 mm
Size (in): 15.98 x 1.54 x 4.92 in
Weight (kg): 0.62 kg
Weight (lb): 1.37 lb

Notes: Your Teenage Engineering OP-1 or OP-XY is more than just a synth - it's an essential part of your creative process. Whether sculpting sounds, remixing beats, or pushing the boundaries of music-making, your OP deserves the best protection. That's where our Decksaver cover comes in.

Designed with the ultimate precision, this custom-molded polycarbonate cover fits seamlessly over your device, safeguarding it from dust, spills, and accidental knocks. Its ultra-durable yet lightweight design keeps your controller protected without adding bulk, making it ideal for both studio setups and on-the-go musicians.

With a Decksaver cover in place, buttons, knobs, and surfaces stays pristine, allowing you to focus on your craft without the worry of everyday wear and tear. The smoked transparent, low-profile design ensures your OP-XY retains its sleek aesthetics while remaining fully accessible when inspiration strikes.

Slip it into your backpack, gig bag and travel with confidence knowing your OP is safe from unexpected mishaps. Whether you're performing live, producing in the studio, or jamming at home, the Decksaver cover is the ultimate armor for your creativity.

Keep your OP protected. Keep your creativity flowing.

Notes: An original creative take on delays, looping, reverb and modulation, the Technician combines various digital programs to create a hugely versatile all-round audio tweaking toolbox.

Supplier's Notes:
Delay modes

Digital

Starting as a crisp digital delay, this mode, when paired with the tap footswitch, covers a lot of ground for your delay needs. The "Red" modulator lets you adjust the dampening of the delay, making the repeats either brighter (emulating towards a tape or HIFI sound) or darker

Reverse

Instead of reading the delay buffer in a forward direction like the "Digital" delay we read the buffer backwards creating unique sound possibilities. You can further modify this sound with the "Red" modulator to adjust the dampening of the repeats to grow brighter or darker.

Granular

Takes the delay buffer and chops it up into "Grains" and then plays those grains back. The size of the grains, direction (forward/reverse), the speed (pitch) and location in the buffer is all randomized so every time you experience this mode it will be a unique exploration into granular synthesis. The "Red" modulator allows you to adjust the max size of the randomized "size" of the grains and the amount of grains from 1-5.

Re-sample

What if you want a more complex soundscape like other instruments are playing with you? Re-sample accomplishes this by playing the delay buffer at different speeds which changes the pitch and timing of the delayed phrases creating a more complex musical expression of what you are playing. "Red" lets you adjust the mix of the octave down and the octave up.

Reverb modes

Hall

The least diffused of the reverb modes "Hall" allows you hear the reflective nature of the hallway your sound is in.

Plate

Emulating a classic plate reverb sound that is diffuse and reflective.

Chasm

An exploration into reverb design feedback networks that can allow for unnaturally large decay lengths.

Grim

Takes the "Chasm" mode and splits the output to a parallel octave down so you get the normal output + the octave down for a deep rich soundscape.

Looper modes

Gives you latching control over the rec/dub of your looper.

Momentary

Only rec/dub while holding the rec/dub switch.

Quantise

Works like the latching but will trim your loop to a division of the existing delay time.

MOD ONE and MOD TWO allow you adjust the following modulators

Modulators

Delay

Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.

Reverb

Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.

Looper

Clock: fine detail adjustment of the speed and direction of the clock.
Quantized Clock: Quantized adjustment of the speed and direction of the clock locked to octave intervals.
Loop Start: Adjust the starting point of the loop.
Loop End: Adjust where the loop will end.

MIDI: 3.5MM IN/OUT
USB: USB-C
Expression: TRS input

Controls

MIX (mod one)- The mix of the Reverb DSP block
DECAY (mod two)- The time it takes for your instruments reverberations to fade away, or die.
FEEDBACK (mod two)- How many repeats the delay will have
MIX (mod one)- The mix of the Delay DSP block
CLOCK (pre-delay)- Adjusts the "size" of the reverb DSP block
MIX (mod one)- The mix of the Looper DSP block
FREQUENCY (resonance)- Adjusts the Frequency of the Filter DSP block
TIME (dry mix)- Set the time of the Delay DSP block up to 2 sec

Modifiers

Reverb Mode (modulators)- Sets what Reverb Algorithm is active
Looper Mode (modulators)- Sets how you control the Looper DSP block
Tap Division (effect order)- Sets which tap division is active for the Delay DSP block. 1/2: Half note, 1/4: Quarter note, .1/8th: Dotted eighth note, 1/8th: Eighth note
Delay Mode (modulators)- Sets which Delay Algorithm is active

Input/Output: Stereo / mono - stereo / stereo - mono / parallel mono
Bypass: True Bypass / Tails
Power: 9v 400MA
Dimensions: 4.8 x 5.5
MIDI: Yes. 3.5mm Jack
USB: Yes
Jacks: Top Mounted Input And Output Jacks

Notes: AXON-2 is an 8HP expander module for the SQUID SALMPLE, MFX and Pamela's PRO Workout that like the AXON-1 provides 4 additional freely assignable CV inputs but additionally adds manual offset controls and 2 additional 'performance' buttons.

The addition of AXON-2 increases the Squid, MFX or Pam PRO's total number of CV inputs by 4, greatly increasing the possibilities for vast modular manipulation. Each of the CV inputs includes an offset for hands on control over parameters assigned to CV. Per assignment digital attenuation and offset via the host module is also available for fine tuning the modulation or control over parameters.

The AXON-2's large buttons are great for controlling select functions in a live performance environment or adding convenient quick navigation shortcuts when making edits. The buttons functionality and assignability are dependent on the host module. See respective manuals for details.

NOTE: AXON-2 support requires the latest firmware be installed for Pam Pro (120 or newer), Squid (187 or newer) and MFX (105 or newer).

Features
4 Additional freely assignable CV inputs for the SQUID SALMPLE, MFX or Pamela's PRO Workout
Manual offset knob controls
Two Assignable performance buttons for mutes, tap tempo, navigation, etc (dependant on module)
Powered directly from the module, no additional power header required
Made in England
Skiff friendly
Technical Specifications
Power: Additional approx 10mA on +12V

Size: 8HP

Depth: 38mm

Notes: Inspired by the classic SH-101, Roland's S-1 is a modern take on vintage synth principles, with virtual analogue sound, four-voice polyphony and built-in sequencing.

Supplier's Notes:
Divine a new world of sound with the S-1 Tweak Synth, a potent micro polysynth inspired by the legendary Roland SH-101. Jam with the snappy basses and expressive leads you've loved for years. Then launch your music into uncharted territory with futuristic wave manipulation, onboard sequencing, and unique performance features designed for modern creators. With its inspiring hands-on controls and intuitive workflow, the powerful S-1 delivers a fun and satisfying experience for beginners and serious synth adventurers alike.

The S-1 merges retro spirit and advanced capabilities in a pocket-size package you can take anywhere. Roland's evolving Analog Circuit Behavior (ACB) tech provides the authentic tone and response of the SH-101, an iconic '80s monosynth embraced for its characterful sound and simple, direct-access panel. Extending the original's design with four-voice polyphony and a slate of innovative features for next-level music creation, the S-1 makes it easy for musicians at any level to explore the power of synthesis through a friendly, uncomplicated interface.

Tone tweakers' paradise

Loaded with expressive tactile controls, the S-1 is a sound design and performance powerhouse in miniature. Create lavish tones with oscillator, envelope, filter, and LFO sections. Dive into deeper design tools with quick combo button presses. Adjust effects using dedicated knobs. And with 26 multi-function pads, you have access to a keyboard with a two-plus octave range, a step sequencer interface, and a wealth of creative options to spark fresh ideas.

Wild sound design.

The S-1 is primed to push classic SH tones into new dimensions. Build from square, saw, sub, and noise oscillators and mono, poly, unison, and chord modes. Or craft custom waveshapes on the step pads using the powerful OSC Draw function. OSC Chop unlocks even more harmonic potential, allowing you to cut waveforms into sections and explore a labyrinth of metallic timbres. Then top off your tones by using the noise oscillator as an independent riser to add sweeps and pulsing sound effects.

Inspired sequencing.

Create compelling music in moments with the S-1's 64-step sequencer and 64 patterns. Record live with the onboard keyboard or switch to step mode for detailed note entry and editing. Use motion recording to animate patterns with panel control tweaks or set parameter values for individual steps. Then delve into probability settings for randomization, sub steps for rapid-fire rhythms, and other features like velocity, shuffle, portamento, and more to bring your music to life.

Performance playground

The S-1 is packed with features to inspire dynamic performances. Get physical with D-Motion to create compelling sound changes simply by moving the synth. Pop on the arpeggiator for cascading musical moments. Trigger the Step Loop function for live fills and on-the-fly rhythmic improv. And transpose patterns with just a few quick touches to instantly add harmonic richness to your jams.

Immortal effects

Enhance your sonic palette with a wide selection of classic Roland effects. Add shimmering dimension with lush choruses derived from the iconic JUNO and JX-3P synths. Introduce spaciousness and movement with manual and tempo-synced delays. Then envelop your sounds with studio-grade reverb effects and a variety of adjustable parameters.

Unbound versatility

The S-1 has all the connectivity you need to sync with your musical world. Link up with other AIRA Compacts like the T-8 Beat Machine, J-6 Chord Synthesizer, and E-4 Voice Tweaker to create a portable creative juggernaut. Interface with computer DAWS and mobile music apps via USB-C.

User Patterns: 64
Step Sequencer: 64 steps

Effects:
DELAY, REVERB, CHORUS

Display: 7 segments, 4 characters (LED)

Connectors:
SYNC (IN, OUT) jacks: Miniature phone type
MIX (IN, OUT) /PHONES jacks: Stereo miniature phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
USB port: USB Type-Cr (Audio, MIDI)

Power Supply:
Rechargeable lithium-ion battery
Obtained via USB port (USB bus power)

Current Draw: 500 mA

Expected battery life under continuous use: Approx. 4.5 hours
* These figures will vary depending on the actual conditions of use.
Expected battery charging time: Approx. 3 hours
* To charge the unit, use the USB port of a computer or a commercially available USB power supply adaptor (5 V, 500 mA or higher).

Accessories:
Leaflet "Read Me First"
USB Type-C to USB Type-A cable

Size & weight

Width: 188 mm / 7-7/16 inches
Depth: 106 mm / 4-3/16 inches
Height: 36.2 mm / 1-7/16 inches
Weight (including batteries): 305 g/11 oz

Notes: Updated Atlantix module is an even better synth voice than the original Atlantis. Based on the Roland SH-101 formula, it's a monster with dual VCOs, legendary filter and built-in envelope generator. All you need for iconic analogue sounds.

Supplier's Notes:
Atlantix

Dual Oscillator Subtractive Analogue Synth Voice

It's Massive

The Atlantix is a complete analogue synth voice. It's quick to dial in huge bass or lead sounds, and easy to push it into new sonic territory. Dual VCOs, Multimode VCF, VCA with Drive, and an ADSR envelope; all of the building blocks needed to expand or start making sound in your rack. With 32 patch points and a selection of routing switches, you can remix these blocks into something all your own.

Reimagining a Reimagined Classic

The Atlantix is the highly-anticipated successor to the Intellijel Atlantis which was originally inspired by the classic Roland SH-101. Despite the SH-101's seemingly limited architecture, it produces various creative and musically useful sounds that have inspired generations of artists and countless hits. The Atlantix is just as immediate for dialling in beautifully rich bass and lead sounds. The thoughtful design, numerous additional features, and flexible patching options open up a massive amount of new sonic territory to explore as well.

The Atlantix is an analogue, complete subtractive synthesizer voice condensed into a single 42HP module. It provides all the fundamental building blocks needed to make sounds in Eurorack: VCOs, VCF, VCA, S&H, Noise, and an Envelope.

Oscillators - Advanced TZFM and Flexible Mixer

The Atlantix uses two triangle core voltage controlled oscillators (VCO) which respond in a musically pleasing way to frequency modulation. The Atlantix primary VCO (VCO A) is capable of thru-zero frequency modulation and has a dedicated amplifier for controlling FM depth (FM INDEX). The modulation oscillator (VCO B) can be used as either an LFO or VCO. The highly flexible architecture allows you to route VCO B as a modulation source or stack it as a secondary VCO all by the flick of a switch or slider. VCO B also has a bonus "spike" waveform output which is a square wave with fixed HPF, similar to the Buchla Easel. Both oscillators track very precisely over eight or more octaves.

In the mixer section, you can adjust the balance of the primary oscillator's waveforms, sub-oscillator noise, and two auxiliary inputs that are normalled to additional VCO A waveforms or VCO B waveforms. The auxiliary inputs also allow you to patch other external signals into the mix.
The second Auxiliary input has a switch that allows you to route the source between the mixer sum or directly into the VCA (post-VCF). The latter is a way to pass an unfiltered fundamental signal to the final VCA stage and then blend it with filtered audio from the VCF. This draws inspiration from the architecture of the CS-80 where a sine wave is mixed with the filtered audio to make glassy tones with some added harmonics.

Multimode Filter - From Drips to Growls

The filter section (VCF) is a discrete cascaded 4-pole multimode filter with lowpass, bandpass, highpass, and phaser (multi-notch) modes. The filter can self-oscillate which produces a very clean sine wave that also tracks 1V/Oct. The VCF has three frequency modulation sources, two of which are normalled to the external pitch and envelope and have switches for polarity.

Add Atlx for dedicated outputs from each mode.

Envelope - A Classic ADSR

The envelope section is an analogue ADSR with three timing ranges: slow, medium, and fast. It can be gated externally or via a manual gate button located in the centre of the panel. The ADSR is routed through a VCA which can be used for level or velocity control.

Modulation - Random, Feedback, and Built-in Routing

Two eight-position rotary switches allow you to select from eight different modulation sources and route them to outputs MOD X and MOD Y. Each switch also has a polarity control and an option to level shift between unipolar and bipolar operation. MOD X is normalled to VCO A frequency modulation and MOD Y is normalled to VCF frequency modulation. The dedicated outputs allow for further creative modulation patching.

Four of the Input jacks have normal switches to change your patch without the need for cables.

The analogue Sample and Hold (S&H) circuit is normalled to the white noise source and can be clocked by VCO B, an external clock source, or via the gate input for per-note synced randomization.

Atlx - Expander w/ Ring Mod (Optional) ***Sold separately ***

The Atlx expander provides 16 additional jacks to the Atlantix, including: dedicated waveform outputs for A and B oscillators, filter outputs, and a ring modulator. Atlx adds many new possibilities for self-patching, advanced routing, and connections to other modules.

Specs + Downloads

Width: 42HP
Depth: 25mm
Power: 140mA @ +12V
138mA @ -12V

Notes: The Decksaver cover for the Ableton Move is the ultimate accessory for protecting your gear while preserving its sleek aesthetic.

Precision-moulded from ultra-durable polycarbonate, this cover is designed to shield your Move from dust, spills, and accidental impact without compromising accessibility.

Whether you're transporting it to a gig, storing it in your studio, or simply keeping it safe between sessions, the low-profile design ensures a snug fit and hassle-free use.

Engineered with the same attention to detail as the Ableton Move itself, the Decksaver cover combines robust protection with a clear, professional finish that showcases your gear.

Dimensions

Weight: 0.38 kg
Length: 15.2 cm
Width: 31.9 cm
Height: 3.8 cm

Material: smoked polycarbonate

Notes: Erica's superb Perkons returns with a stealthy new black paint job. Four hybrid voices each with a range of different sound engine modes, paired with analogue filters, overdrive and a superb sequencer.

Supplier's Notes:
PERKONS HD-01 is a unique live performance and sound design instrument that tears down the borders between drum machine, synthesizer, and drone instrument.

PERKONS features four sonically versatile hybrid voices (digital sound engine + analogue multimode filter with overdrive) and a sequencer with simultaneous control over all four percussion tracks.

Each voice has 3 sound engine modes, an HP/BP/LP filter and 8 controls for nuanced sound design, including an internal BBD FX send. All voice parameter settings can be saved as KITS. To add dynamics to the performance, parameter automation is implemented and a modulation LFO can be assigned to all parameters.

For a real thunderstorm, integration with external gear is considered - each voice has a dedicated trigger input, individual output, and FX send and return with 6.3mm jack sockets, along with extensive MIDI implementation. All voices are summed and run through a built-in compressor.

Time to ride the skies!

Erica Synths are pleased to see the enjoyment the PERKONS has brought to users worldwide over the past two years! To celebrate its success, they have decided to transform the beast by giving it a new demeanour - a timelessly black finish to match Erica Synths' other instruments and to visually complement the dark aesthetic that has become synonymous with Erica Synths modules and desktop instruments all over the world.

Notes: Another innovative groovebox from Polyend, the Synth allows you to sequence and perform up to three synths from eight different synth engines. Unique Smart Grid feature allows single-button chords and note followers.

Supplier's Notes:
Compact Design. Massive Sound. Unmatched Innovation.

Easily Play 3 Synths at Once

The power of three synth engines is at your fingertips, all running together seamlessly. Whether you're in the studio or performing live, you can juggle between different engines, adjust parameters on the fly, and layer effects with ease. The built-in sequencers, arpeggiators, and all new smart grid system keep everything flowing smoothly, letting you focus on creativity without interruption. With instantly recallable scenes, you can save and recall every detail of your setup.

Eight Synth Engines to Explore

Dive into a world of sound with eight distinct synth engines, each offering its own unique character. Whether you're drawn to the classic analogue warmth of FAT or the evolving textures of GRAIN, you'll find the sound to shape your creations exactly the way you want:

PHZ: A modern take on phase distortion synthesis with options for both retro and cutting-edge tones.
PMD: Physical modelling technology that simulates realistic instruments or creates entirely new sonic expressions.
GRAIN: A granular engine with two modes, burst and cloud, ideal for rhythmic textures or sweeping ambient layers.
WAVS: Morph between wavetables with intricate control over scanning and phase shifting to create evolving textures.
VAP: A dual-oscillator polysynth that draws inspiration from the classics, offering rich, lush pads and detailed soundscapes.
FAT: Massive sound with three oscillators and vintage ladder filters for deep basses and expressive leads.
ACD: The ultimate recreation of iconic vintage monophonic synths, but with increased customization.
WTFM: A unique FM synthesis engine that uses wavetable-based oscillators for complex sounds without the usual FM complications.

Three Customizable Effects

Take your sound to the next level with three onboard effects, each fully customizable to suit your style:

MOD: This versatile modulation engine can take you from subtle choruses to wild, feedback-heavy flanging.
DEL: Dual delay lines with five unique models, giving you the flexibility to sync with your track or create complex delay effects.
REV: Three reverb modes - Natural, Plate, and Warp - let you add anything from subtle space to massive, otherworldly reverbs.

Reimagined Rhythms

Unlock your full creative potential with three independent sequencers and arpeggiators. Control every aspect of your rhythm, from swing to groove, transposition, and more. Whether you're building tight, rhythmic patterns or sweeping melodies, this system adapts seamlessly to your music.

For Performers, Sound Designers, and Innovators Alike

Always Musical Smart Grid for Live Play

Stay in control even during the most chaotic performances. The customizable Smart Grid ensures every note and chord stays in the desired scale, while making live performances smoother and more intuitive.

Scenes on Demand

Imagine having every setting - from synth engines to sequences - saved in one easy-to-recall Scene file. Build entire live sets and instantly access them with a touch. Plus, share your unique setups with the community

Combo Knobs for Quick Tweaks

Create dramatic builds or subtle shifts with customizable combo knobs. Whether controlling one or all three synths at once, adding movement and dynamics to your sound has never been easier.

Polyphonic Aftertouch

Express every nuance of your performance with polyphonic aftertouch. Adjust multiple parameters with just the pressure of your fingers, allowing for truly expressive, dynamic control over your sounds.

A Dream for Sound Designers

Intuitive 3x3 Knob Matrix

Designed for hands-on control, the 3x3 knob matrix lets you quickly access and tweak key parameters. No need to dive into endless menus - everything you need is right in front of you, ready for real-time adjustments.

Real-Time Visual Feedback

Every adjustment you make is instantly reflected in the visual interface, giving you clear, real-time feedback on how your sound is evolving. Whether you're tweaking filters, modulating oscillators, or adjusting LFOs, you'll see the changes happen as you hear them.

Endless Customization

Expand your creative palette with SD and USB storage. Easily load new wavetables, presets, and entire setups, or share your creations with others. With endless possibilities, this synth is designed to grow with you

Notes: Super affordable but fun analogue synth, the LORE does two-oscillator FM synthesis to create experimental tones, drones and textures. Power via USB-C, output over 3.5mm jack socket.

Supplier's notes:
Lore takes two of the lush all-analogue oscillators from OVUM, and adds frequency modulation to unlock a wild new range of sounds. It's designed for exploring tones, drones, and frequency modulated textures. Each voice is made of an independently controlled triangle-core oscillators, with separate control for volume, pitch, and can be crossfaded between a bright square wave and a crisp triangle wave.

Lore is frequency modulation. The left oscillator can be sent to the audio output, where it will create harmony or dissonance with the right oscillator, or it can be switched to modulate the frequency of the right oscillator. This is a simplified and analog version of the kind of FM synthesis you'll find in digital synthesizers like the DX7 and it's descendants. It's hand-built from 100% analog circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

Lore is enclosed in a sturdy transparent-green petroleum-free bioplastic case. It has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default Lore comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. Lore is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: Bartender is the centerpiece of the mixer system. Four stereo channels, with two stereo aux send and two stereo returns. Each channel can be used in a mono mode where both channels are mixed. If you want to do eight channels of mono, you can put the channels in stereo mode (I know it feels backwards) and then use the pan control to control the crossfade between each channel, and then take the mono output. There is a built in cueing system so you can monitor channels in your headphones and control the blend with the main output. You can expand a Bartender with both a Barback and/or another Bartender. When connecting two Bartenders, the main level control on the 'expander' Bartender acts as a group control.

Notes: Multi-model stereo delay with reverb, featuring tape, bucket brigade and crossfading digital models, plus saturation, filters, internal modulation plus tons of CV control. Vibey as hell.

Supplier's Notes:
It's all gone a bit wobbly

Intellijel's design goal for Sealegs was to create the warmest, most musical and organic delay module possible - something that would sweeten and enhance any audio one chose to feed into it. As such, great care has gone into modelling the most distinctive and desirable sonic characteristics of three different types of delay circuits: Tape; Bucket Brigade, and Crossfading Digital.

A plethora of onboard controls enable you to dial in exactly the sound you want; synced or un-synced delays times (for both left and right channels); a built-in modulator with seven morphing waveshapes, a Wow & Flutter emulation, and an envelope follower; plus dedicated low- and high-pass filters; built-in hiss & crackle noises; per-model colour controls; a spacious reverb; and a re-configurable signal flow through the unit. In addition, attenuverted modulation inputs abound - ensuring the delay ebbs and flows with your musical needs.

Features
Three Unique delay models with per-model "Color", modulation behaviour, and saturation/limiting
Three Stereo configurations (PONG, L/R, Time/Width)
Built-in modulator with multiple, morphing wave shapes
Lush, routable 1970s-inspired reverb
Noise control to introduce hiss and crackle.
Highpass and lowpass filters for filtered repeats
Input drive with level trim
Per-model Freeze functionality for holding the delay contents and looping
Delay times up to 6 sec (L channel) and 8 sec (R channel, Width adds 33% to Time)
9 CV inputs (with attenuverters)
Stable external clock syncing (or tap tempo)
96 kHz, 32-bit stereo floating point processing

Size: 20HP
Depth: 29mm
Power: 116mA @ +12V 10mA @ -12V

Notes: The 1010music line of stereo breakout cables are designed to connect 2 mono audio signals to a single stereo TRS 3.5 mm minijack plug. The slim caps fit side by side with other cables in compactly spaced input jacks, like those on the 1010music bluebox. These cables may have been designed for the bluebox, but they have a wide variety of uses with other gear as well.

Each of these cables has a male TRS stereo 3.5mm minijack plug on one end and two male TS mono 6.35 mm plugs on the other end. They are 1.4 m/4.5 ft long with the 1010music logo printed on the 3.5mm minijack plug caps.

This stereo breakout cable connects two 6.35 mm male mono TS plugs to the left and right channels of one 3.5 mm male stereo TRS minijack plug. Red and black caps on the 6.35 mm end differentiate the left and right channels. Each cable is 1.4 m/4.5 ft long and has slim metal caps with the 1010music logo on the 3.5 mm plug.

Specifications:
1.4 m/4.5 ft long
one 3.5 mm male stereo TRS to two 6.35 mm male mono TS
Nickel / 24K Gold plated connector
Highly flexible PVC / TPE Jacket Materials
Rohs, UL, CE, and FCC approved

Notes: A creative new approach to sampling, the first release from Teenage Engineering's EP Series is an evolution of the PO-33 K.O! Pocket Operator. Sample, program, sequence and produce in one comapact, retro box.

*** OS 2.0 firmware update- April 2025 ***

Resampling
Song mode
Sidechain
More polyphony
More MIDI

K.O. II just got its first major OS update! Teenage Engineering have managed to pack a ton of new knockout features like resampling to remix and chop sounds, sidechain for groove control, song mode to arrange tracks of up to 9,801 bars, an optimized playback engine with increased polyphony, plus extended MIDI support.

Resampling

Sample any sound source on or off the K.O. II, process it through effects and make a brand new sample from it.

Song mode

Song mode adds the ability to chain scenes and create longer, more structured track arrangements.

Sidechaining

Sidechain allows one sound to control the volume of another, perfect for kick and bass groove control.

More polyphony

Teenage Engineering have managed to increase K.O. II's voice count, now supporting 16 mono or 12 stereo voice polyphony.

More MIDI

Pass notes between units with MIDI thru, keep your gear in sync and pair up to16 devices simultaneously.

Supplier's Notes:
Get ready for Round 2

Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

Knock out features

9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool

The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.

Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries

One-two punch

Vintage style keys with a modern touch, combining tactility with pressure sensitivity.

10" EP format

Comes in a limited edition 10" collector's box

Tech specs:

K.O.II highlights

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

Dimensions and weight

240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz

Stereo input

24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS

Stereo headphone/line output

24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS

MIDI input and output
TRS type A, MMA compliant

Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop

Notes: No oscillators, 8 voice polyphony.

The Steampipe is a true physical modelling synthesizer developed in close collaboration with Dutch company 112.dB.

The Steampipe has no conventional oscillators. Instead, it mimics the way sound is created in wind instruments and it is fine-tuned to create a wide range of sounds - everything from wind instruments to strings, pipe organs, crazy effects and beyond. The Steampipe has three major sections - STEAM, PIPE and REVERBERATOR.

The STEAM section can be compared to the lungs and mouth of a musician. The generator creates the flow of air or "steam", the envelope in this section determines the force with which it is blown out. DC/noise is the noise you get when blowing out. DC/Noise on the Steampipe can also be replaced with an external audio source.

The PIPE section can be compared to a flute. In the pipe, the tune is formed. Push (in feedback) bounces the steam like it does in a flute and generates the tone. The delay box subsection changes the flute's tuning and shape.

The REVERBERATOR adds space and ambience to the sound.

The Steampipe is optimized for performance with wind MIDI controllers and it works great with any MIDI keyboard. The overtones the Steampipe produces are very organic and rich and it comes with great-sounding presets. The Steampipe is rather versatile and allows for nuanced sonic exploration, conjuring sonic imagery ranging from from wisps of cloud to fairground band organs, then to industrial horns of the railroad and finally, to massive, otherworldly ambiences.

Notes: The MCO MK II is a highly versatile digital VCO and voice module inspired by 90s/00s digital synths shrunk into just 6HP.

It offers a broad collection of unique, high-quality synth voices, each with extensive, customizable parameters. These parameters can be directly controlled or modulated through assignable internal and external sources. Certain per-voice parameters support audio-rate modulation, including FM, sync, and DSP. Each voice also supports up to four-voice chords, external-triggered envelopes, multiple LFOs, and dual audio outputs for comprehensive desktop like synth functionality.

Voices include a multi dimensional wavetable oscillator based on the original MCO, a complex additive synthesis engine, a multi mode 'JP' type digi-synth, a lush virtual analog implementation, a fully featured vocoder, a bass synth for both kicks and sub sonic tones and finally arebirth and porting of our discontinued SID GUTs chip voice.

Each voice includes factory presets as well as the ability to store and recall user presets. All state is preserved across power cycles.

The MCO is designed to be familiar, quick and easy to use with a high resolution colour display and a rich visual user interface.

A USB-C connection allows for easy firmware updates, user wavetables upload and device config backup and restore. Axon expander modules are also supported to increase CV control options.

Notes: Part of Teenage Engineering's high-end Field series, the OP-XY is best seen as a pro groovebox, combining polyphonic synthesis, sampling and sequencing. More music-focussed than its OP-Z predecessor, the OP-XY represents a new flagship for TE.

Supplier's Notes:
No-compromise, dual-CPU boosted and fully rebuilt sequencer, sampler, and performance instrument, based on the much-loved workflow of the OP-Z. Now including built-in cv, effect sends, and a best-in-class DAC. with 8 individual instrument tracks and 8 auxiliary tracks for controlling any external synthesizer, modular or otherwise, and adding effects. It's probably the most complete, portable sequencer ever built. It's here. It's real. it's black.

And it's got so much more than you've wished for.

The exterior is all black, and matches the exact dimensions of OP-1 field. A distinct grayscale gradient is at its centre, making it clear that OP-XY is all about serious sequencing. Hands-on graphics on the high-resolution display are all grayscale, with a bright red to indicate recording and parameter locks. all vital keys have LEDs to stay in full control.

Experience the ultra fast sequencing workflow. Punch-in FX lets you add quick, rapid-firing, unique, live variations and adding individual step components creates an extra dimension and deep rhythmic patterns. randomize note timing, velocity and pitch, or use live automation to alter filters. Use brain to create chord progressions, generating tracks that reinvent themselves. Literally.

Run every track, independently, at different speeds and lengths to form powerful polyrhythms. create new sequences every time with step components, variations that can be added to any step on the sequencer, controlling everything from altering pitch to bending, skipping or even multiplying steps.

Main audio-out

Multi-out, featuring:
MIDI
CV/gate
Sync
Aux audio
MIDI IN
AUDIO IN
USB-C

The 2 Vrms main output drives any sound system, real loud. Keep everything locked in sync and sequenced with the multi-out and take control with MID IN. process and sample external audio with the audio-in. control, record and charge with the audio/midi host over USB-C, plus a complete wireless experience with midi over Bluetooth LE -keine bedingungen [no strings attached].

Compose your album, head off to the gig, plug and play immediately, then keep everything locked-in with all the I/O you could ask for. 16-hour, battery-powered freedom lets you perform for hours on-end. create, produce and perform anywhere. Mit allen bedingungen [all strings attached]

The bottom left side features a pressure sensitive pitchbend

Instrument tracks:

8 individually sequenceable instrument tracks
8 unique synth engines
3 samplers
independent send levels per track

Step components
14 unique step components for advanced step sequencing
Apply up to all 14 to every step screen
480 x 222px IPS TFT display

Patterns
9 patterns per track
up to 64 bars per pattern
spread across 4 pages
presets per pattern

Effects: reverb, delay, chorus, distortion, lo-fi, phaser

Hardware
Dual blackfin processing cores
Dual DDR memory
Triple-core dsp co-processor
2x controller MCU's for wireless & low power IO domain

Sensors: 6-axis IMU accelerometer

Microphone: immediate, high quality sampling with the built-in microphone.

Connectors: 3.5 mm stereo line-out with headset mic support
3.5 mm multi-out
3.5 mm midi in
3.5 mm stereo line-in

Tactile input
2 octave musical keyboard
68 ultra low profile mechanical buttons
Pressure sensitive pitch bend
4 x multi purpose grayscale encoders

USB
USB type C connector
USB MIDI host & device
USB audio host & device

Notes: Latest version of an interface that's become a modern classic. Up to 18 audio inputs and 22 outputs in total, spread over a mixture of analogue and digital connections. A true all-rounder that's hard to beat.

Supplier's Notes:
The MOTU UltraLite-mk5 is the latest incarnation of the best-selling UltraLite series (replacing the UltraLite-mk4). It takes the winning formula of the half-rack form factor with 18 in x 22 out analog and digital I/O and adds state-of-the-art enhancements at the same great price :

Best-in-class Audio Quality - the UltraLite-mk5 includes renowned ESS Sabre32 DAC technology, featuring the ES9026PRO DAC, to deliver 125dB dynamic range and -114 dB THD+N.

Ultra-low Latency - optimised Drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW the UltraLite-mk5 delivers an astonishing round-trip latency of 2.4ms (at 96kHz with a 32-sample host buffer

New Design - while retaining the same front and back panel layout as its predecessors the UltraLite-mk5 has a sleek new look, incorporating a high-resolution, high-contrast white OLED display providing precision metering for all analog inputs and outputs, along with digital I/O activity indicators and status info

Connectivity and Compatibility- the UltraLite-mk5 has a USB-C connector and is also class-compliant for operation with iOS devices. It is also compatible with MacOS 11 Big Sur and M1 Macs

New Software and Simplified Monitoring - live monitoring of inputs is controlled via the new CueMix 5 software

Rack-mount options - a half-rack mounting kit (sold separately) allows the steel-encased UltraLite-mk5 to be rack-mounted with thick steel brackets to withstand the punishment of touring. Alternatively, two UltraLite-mk5 units can be joined together with a Half-rack Coupler Kit (sold separately)

Technical Specifications:

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar inputs: 2 x XLR/TRS "combo" jacks, 1 MO impedance on the line/instr inputs
Analog inputs: 6 x 1/4" TRS line in (balanced)
Analog outputs: 10 x 1/4" TRS line out (balanced, DC coupled)

Digital I/O:
1 bank (8 ch) of ADAT optical at 1x sample rates
1 bank (4 ch) of SMUX optical at 2x sample rates
Switchable to stereo TOSLink (optical S/PDIF)
1 x stereo S/PDIF on RCA (up to 96 kHz)

Computer I/O:
1 x USB-C 2.0 audio class compliant
Compatible with USB Type A (with adapter or C-to-A cable)

Total audio I/O:
18 in / 22 out (40 total) at 1x sample rates
14 in / 18 out (32 total) at 2x sample rates
8 in / 12 out (20 total) at 4x sample rates

MIDI I/O:
1 x MIDI IN
1 x MIDI OUT
16 MIDI channels to/from computer host

Headphone: 1 x 1/4" TRS stereo phone
Phantom power: 2 x individual +48V

Front panel:
2 x XLR/TRS combo inputs
1 x 1/4" TRS headphone output
1 x potentiometer - phone/monitor vol
2 x potentiometer - mic/instr input gain
4 x switches - (2) 48V and (2) pad
1x high-resolution white OLED display for metering/status
Power: External 12-18V DC power supply - 1.0A max - tip pos or neg

Dimensions and weight: (width x depth x height, enclosure only)
8.6 x 6.9 x 1.75 inches
22 x 17.5 x 4.5 cm
2.875 lbs / 1.31 kg

Notes: mioXC - The USB Type-C 1x1 MIDI interface for Mac, PC, iOS, or Android

Tiny in size and price, yet big on connectivity! mioXC is a pocket-sized powerhouse! mioXC is a fuss-free and simple 1x1, 16 channel MIDI interface you can use to connect your MIDI compatible gear. Whether you have a controller keyboard, synthesizer, drum machine or whatever; mioXC lets you connect them to your Mac, PC, iOS, or Android computing device.

What Makes mioXC Unique?

Even the most basic tasks need to be done right; it's surprising how many of iConnectivity's competitors' interfaces get it wrong. mioXC has been engineered, from the ground up to, to be the interface that its manufacturers would want to use themselves.

Modern USB Connectivity - Equipped with both USB Type-C and USB Type-A connectivity, mioXC lets you enjoy easy connectivity with most modern computing devices.

Driver Compatibility - Interfaces that use their own drivers have to be updated all the time, or they stop working properly. Likewise some designs were USB Class-Compliant years ago, but today they aren't anymore. iConnectivity's drivers have been engineered to today's strict guidelines, and keep them updated, to ensure compatibility for years to come.

MIDI Management - iConnectivity interfaces deliver MIDI reliably no matter what. When the MIDI data-stream gets heavy, these interfaces plough on where other interfaces choke.

Rock-Solid Electrical Design

- Some MIDI interfaces introduce noise, or worse, crash your system. You'll never get that from an iConnectivity interface.

Performance Optimized - A MIDI interface that works too slowly is useless. mioXC uses a powerful 32-bit ARM Cortex processor, ensuring dense MIDI and SysEx streams are managed with ease.

The iConnectivity Advantage: iConnectivity's name on your interface means that time was taken to do it right, whether it's the simple 1 x 1 models to iConnectivity's uniquely sophisticated high-end interfaces.

What's in the box
One mioXC MIDI Interface.
One USB Type-C to USB Type-A adapter

Macintosh
Mac OS X
1 free USB port

Windows
Windows 7 or later
1 free USB port

iOS
iOS 8 or greater*
CoreMIDI compatible app
*Apple Lightning to USB Camera adapter required for use with Lightning equipped iOS devices (adapter not included)

Android
Android 8.0 or higher with USB-C connector

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Audio cables.

This USB 2.0 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Audio Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Audio Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official. For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications:

Colour: White
Material: PVC + Metal
Protection: Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
High-quality multi-shielded PVC USB cable

Extras
Includes UDG Velcro strap for easy storage
High-speed Audio Optimized USB 2.0 A-Male to B-Male cable
Ergonomic UDG Design
Various colors makes them easy to identify
Fits: Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Light Edition - still made from super durable polycarbonate but reaching you at a more affordable price. Engineered in the UK specifically for the Arturia Keystep 37 Keyboard Controller. Custom moulded to fit the contours of the unit whilst leaving USB connections in place, the MPK Mini MK2 can sit ready for operation. Super durable polycarbonate shell protects delicate keys during transportation and slides straight into a flight case or bag for maximum protection. Don't go losing your keys.

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
6 HP wide

Notes: Highly sought-after utility tool that always sells out quickly. Full colour display gives visualisation as an oscilloscope, spectral analyser, spectograph, tuner and more. Waveform and clock generator options too.

Supplier's Notes:
The Ultimate Eurorack Utility Module (and a whole lot more!)

The DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.

Use the DATA's scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA's dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform's frequency "note mode" to effortlessly make dyads (two note chords). Use the DATA's clock program as a master clock or to divide or multiply an incoming clock signal, sending four different clock outs to gate modules directly or as control to sequencers.

The possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA's firmware and we can continue to refine and create new programs.

Notes: Javelin is a module that is basically an ADSR envelope with integrated VCA. However, it has several features that make the module an expressive sound shaping tool.

Three level ranges determine the total amplitude of the envelope, additionally three different time ranges are integrated, which can be switched between.

The accent behaviour is also unique. If several gates are applied to the Accent input at the same time, the envelope rises slightly with each gate.

Features:

Attack-decay-sustain-release envelope
Integrated VCA
Unique accent behaviour for expressive sequences
Reset input
CV control over attack and release
Looping mode for LFO-like modulations
Mode switch for gate and trigger behaviour
Linear, moderate or steep exponential shape
Short hold in the peak of the attack for more punch
Power consumption: 93mA at +12V and 65mA at -12V

Depth: 38mm

HP : 6

Notes: Small and efficient MIDI to CV courtesy of Intellijel's 1U series. Works in conjunction with an Intellijel case or the MIDI IN Jacks 1U module to give you Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset.

Supplier's Notes:
The MIDI 1U system provides all the essentials to control and sync your Eurorack modular from your computer, mobile, or hardware MIDI device with a minimum of fuss. Several of the module's most important features can be changed using the two front panel buttons, with full configuration capabilities offered via the Intellijel Config app, which is available for both Mac and Windows. The connectivity, feature set, expandability, and compact size make the MIDI 1U system ideal for integrating your modular gear with the rest of your rig.

Intellijel's MIDI 1U system comprises several elements, which work together to provide flexible, programmable MIDI-to-CV conversion to your Eurorack modules: The system comprises two mandatory components, and one optional component:

MIDI 1U module - This 14HP 1U module receives MIDI from an attached, external MIDI input connector (7U case, Palette case, or MIDI IN Jacks 1U module), and extracts (by default) Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset messages i sending the proportional voltages to individual 3.5mm jacks for patching.If desired, the CC and MOD jacks may be configured to respond to either Channel Aftertouch or High Resolution CC, and the Reset jacks can be configured as a Run jack, instead. Additionally, MIDI 1U features an alternate Dual Mode, which maintains the Clock & Reset functionality, but uses the other six jacks to transmit Pitch, Velocity and Gate messages derived from two separate MIDI channels.
MIDI input connector - the MIDI 1U module does not have its own MIDI input jack. This enables you to use the MIDI/USB inputs built-in to your Intellijel 7U Performance Case or Palette Case. If you don't own one of these cases, you can purchase the MIDI IN Jacks 1U module to connect an external MIDI device.
MIDI Expander 1U module - This optional 14HP 1U module connects to the MIDI 1U module and adds an additional eight 3.5mm CV outputs. These outputs are fully programmable using the Intellijel Config app, and greatly expand MIDI 1U's ability to control your entire Eurorack system.

Width: 14HP
Depth: 14mm
Power: 34mA @ +12V
2mA @ -12V

Notes: Row Power is a clean, regulated, and protected power solution for Eurorack systems. Row Power 45 provides enough power for two to three typical Eurorack rows (typically up to about 312HP):
+12V @ 2.0A maximum, 1.5A recommended
-12V @ 1.4A maximum, 1.2A recommended
+5V @ 1.5A maximum, 1.2A recommended

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying bus cables or the Bus Stick. For custom power systems, the Row Power 45 has a set of easily soldered holes for using large gauge wire or MTA156 connectors to connect to distribution bus boards.

Multiple Row Power modules can be powered from a single power brick by daisy-chaining with an inexpensive barrel cable. The Row Power 45 can also be daisy-chained to 4ms Company's Pod enclosures. Each power supply is independently regulated and protected for ultra-low cross-talk between rows/pods.

The Row Power 45 is compatible with the 4ms Row Power Shield. This device (sold separately) attaches to the back of the Row Power 45 and monitors the amount of current being drawn, as well as the voltages of the power rails. The information is sent over Bluetooth to be displayed on a phone or tablet.

Electrical and Mechanical Specifications

Module Size:
4 HP Eurorack format module

Power Output:
Maximum average load under normal conditions: +12V @ 2.0A, -12V @ 1.4A, +5V @ 1.5A
Maximum average load under any condition: +12V @ 1.5A, -12V @ 1.2A, +5V @ 1.2A
Powered by laptop-style DC power supply: 2.1mm barrel, positive center, 15V-20V.

Included with the Row Power 45:
16-to-16 pin power cable
2 M3 Knurlie screws

Notes: The Electro-Harmonix EHX9.6DC-200 is the player's choice of battery eliminator for many of the world's most popular effects pedals including EHX, Boss, MXR, Ibanez and others. It is a 9.6 Volt DC/200mA linearly regulated power supply with 2.1mm x 5.5mm center negative barrel plug.